YouTube: It’s Time for a Content ID Intervention


ContentID ImageDear YouTube,

I’m saying this as a friend and as a fan. I love your site, I love putting my videos on it, watching other’s content and participating in the community.

I even love the idea behind Content ID. Let’s face facts, the DMCA notice-and-takedown system, as good as it is, has serious flaws and your efforts to improve upon the existing system helps everyone.

In fact, if Content ID were done well, everyone would benefit. Large copyright holders would get quicker, easier removal of infringements, legitimate users don’t have to compete with thousands of channels featuring clips from Game of Thrones and viewers seeking good, original content won’t have to sift through countless clips bad movie rips to find it.

But that’s the problem, Content ID isn’t being done well. I don’t know a single YouTube uploader, myself included, that hasn’t had at least some problem with the system. I’ve had good friends who have had videos pulled due to public domain songs (with CC-licensed recordings), others who are unable to monetize videos with no unoriginal content and countless others who have fair uses flagged, removed or removed from monetization.

YouTube, it’s time for an intervention. Content ID is failing its goals, not because the technology is bad, but because it’s being used in a bad way. If you’re going to improve Content ID and its reputation, you need to stop focusing on the technology and focusing more on the experience built around it.

Content ID is not the enemy, but the way you use it is making it one quickly. It’s time to make a change and here are a few steps that can start turning things around today.

1. Admit Content ID Isn’t Perfect

This is a bitter pill to swallow YouTube, but you have to admit openly and broadly that Content ID is not perfect.

Content ID is amazing technology that does incredible things, but it is not without flaws. Not only does the system clearly produce false positives, matching things that aren’t actually the same or ignoring clear fair uses, there’s also content in reference files that is not owned by the person claiming it.

Basically, the technology isn’t perfect and the people uploading the content to be matched against aren’t perfect. This means there are some bad results, even if over 99% of the matches are good.

If you admit that, then it frees you up to start working on solution for the mistakes.

2. Automated Matches Need a Real Appeals Process

With the DMCA there is a notice and counternotice system that enables those who have been filed against to have their content restored. While the system is far from perfect, it provides a real framework for getting wrongly removed content back online.

But with Content ID, there is no such system.

While YouTube pays lip service to an appeals process, almost no one is successful with their appeals. It doesn’t matter if they are appealing a removal, a denial of monetization, the muting of a video or any other automated action. This is regardless of whether or not the content is actually infringing in any way.

In fact, getting anything other than a form letter reply out of YouTube has proved impossible for most people I know.

Content ID needs an effective, transparent appeals process, one that users can trust to be fair.

3. It’s Time for a Whitelist

Currently, Content ID is only infringing material. While that material may be allowed on YouTube, at the request of the copyright holder, there’s no whitelist of content that is non-infringing, such as public domain or open-licensed works.

This creates a problem where the same legitimate content keeps triggering the same bad matches over and over again. By creating a whitelist of content that’s been confirmed legal, in particular content that was successfully appealed, you can enable more reuse of legitimate content and help YouTubers make better videos.

While the whitelist should be used sparingly since it’s prone to the same problems as the existing reference file database, but having one could help eliminate or at least reduce the number of false positives, especially repeat false positives.

4. Transparency is Everything

Google, your parent company, recently launched a simple but powerful transparency report for copyright removals in its search engine. It details how many notices it receives, what domains they are over, who filed them and what the outcome was.

YouTube, however, has no such report, especially for Content ID. Making the process more transparent, especially on a macro level, could help outsiders understand what is going on and help you improve the process.

Specifically, I would want to know how many removals were Content ID vs traditional DMCA notices, how many were removed, monetized, muted, etc., how many were appealed and which copyright holders filed the most removals.

Right now, one of the biggest frustrations with the Content ID process is the lack of transparency, both on the individual and the macro level. Following Google’s lead on this could greatly help.

5. Understand That Fair Use is a Thing

Finally, Content ID has a serious effect on fair uses of copyrighted material. Reviews, such as my soon-to-return Garbage Horror show, make fair use of clips from content to offer commentary, criticism and critique. However, those reviews are often blocked, unavailable for monetization or restricted by country.

One of the things you are most proud of when it comes to Content ID is that it can detect partial matches. However, if you take that too far, you start to trample on fair uses of content. While there’s no easy answer for this, at some point a match becomes borderline enough that it needs to be reviewed by a human, something it should do before being pulled.

While 10 minutes of a TV episode with no other content is almost certainly an infringement, 30 second clips are much more dubious. If you want to encourage fair use, you have to allow for it in the system and give people a chance to post such clips without fear of immediate reprisals.

Bottom Line

In the end, I still love you YouTube and I think your efforts to clean up your act have been great and are a big part of why your site has continued to do well after so many years.

Still, I’d like YouTube to be a place where original content can thrive without worrying about bad matches from Content ID. Already some of my friends are being pushed to competitors due to bad ContnetID matches, something that hurts both you and them.

In short, I want YouTube to be a place that is both relatively free of infringements and where original content can thrive. It’s more than possible, but it will require some effort on your part.

If you can do that. YouTube will be an even greater place than it is now.


Jonathan Bailey


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  1. Hey Jonathan, thanks so much for writing this piece. I thought I was doing something wrong and I couldn’t figure out what it was.

    There are a couple of different intros that I use for my Youtube vids that have about 10 seconds of music and I never had a problem or got flagged for them. Then one day last month I uploaded a new video with the same intro and it got flagged. I have no idea why.

    Thanks again and at least I know this is happening to a lot of other YouTubers, not just me.

    • Glad you liked the column and no it’s not just you. It’s nearly everyone. Like I said, even I’ve had some issues (though I haven’t had any videos removed, I’ve lost ability to monetize and one country block).

      If anything, I underplayed the situation as things are getting worse and worse. Many people, like yourself, who never had a problem before are having them.

      It’s a growing issue and that’s part of why I wanted to write on it.

  2. Nice write up here…
    When trying to Monetize my videos, I’ve been told that the reason my videos are ‘under review’ for so long is that YT has a large backlog of videos they have to ‘review’… many of mine have taken longer than 3 weeks to get ‘approved’. They seem to go ‘Under Review’ right away. Bummer for us all.
    When I did have a copyright strike for my own content (filed by mistake) the filer and I tried to get YT to release the ban on the video… it took 2+ weeks! I ended up loosing the initial views, re-uploaded my content and had to start over again. Not a good experience at all with the Copyright Infringement/Resolution process. Like you say, this review thing has to work better and faster.

    Maybe opening up the world to ‘partnership’ was not the smartest thing for YT to do, eh?

  3. Dealing with the consequences of this faulty system right now. I had limits automatically put on my account by the Youtube-bot because of gaming commentary videos.

    Question. Can you tell me how some people put up game commentary videos with no problems, and others just run into brick walls every time? I don’t get it. Is there some sort of special work around? lol.

    • I don’t think there’s any special workaround. It’s just some gaming companies are very aggressive about protecting their games and others aren’t. My advice, Google some and find out which companies you can safely review and don’t help promote the ones that you can’t.

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  6. Excellent! I lost my original channel because YouTube removed all of my monetize rights based on “to many OD claims” yet all were disputed, all were bogus PD (not even fair use). The system is horrible mess for abusers. The big word is “CopyFraud”.