The AP/Shepherd Fairey Dispute

associated-press-logo-252x63gifEven though I’ve mentioned it in two recent editions of the 3 Count and plan to talk much more about it on the Copyright 2.0 Show tomorrow, I’ve been getting a lot of emails and some tweets asking me what I thought.

So I’m going to take a few words here to talk about this case, what my thoughts on it are and the likely outcomes seem to be. I’m going to try and keep this brief, even though it is a complicated case with a lot of elements in play at once.

The Story

The basic story of the lawsuit is well-known by now. Shepard Fairey produced the now-iconic poster of now-President Barack Obama back when he was in the early stages of his Presidential campaign. The poster, which is shown in part above, was based on a 2006 AP photo taken by Mannie Garcia, who was what he calls a “temporary hire” for the AP at the time.

This was in contrast to many earlier reports that it was based on a Reuters photo.

Some time within the past few months, though it seems to be unclear exactly when, the AP discovered that the poster was based on their image and has sued Fairey for copyright infringement. Fairey is being represented by Anthony Falzone, Executive Director of the Fair Use Project at Stanford University.

The case, obvious, is still pending.

Problems with the AP’s Case

In the short period of time since the case has come to the public light, there have been several issues with it that have been raised:

  1. Copyright Ownership: Mannie Garcia has come forward and said that he was not a full-time employee of the AP at the time the image was taken and that causes doubt as to whether or not the AP even has the copyright in the image as the work-for-hire and contractual issues are unclear.
  2. Fair Use Issues: Fairey’s use of the photo raises serious fair use issues. The use of the image was almost certainly transformative, so much so that the AP didn’t recognize the image for quite some time, was for a political purpose, the most protected form of speech typically, and was non-commercial in nature. Though there are elements against Fairey, such as the use of the whole image and arguable damage to the market for Obama posters, Fairey does seem to have a reasonable fair use argument.
  3. Lack of Assets: Since Fairey did not earn any revenue from the poster, a claim he has repeated many times, and does not seem to have a large amount of assets of his own, the odds of the AP collecting on any large judgment is slim, at least not for quite some time.

In short, the Associated Press has to first answer very serious questions about ownership, defeat a relatively strong fair use argument and then find a way to collect from a source that, from all appearances, does not have enough assets to cover any major judgment.

The end result is that the AP has an uphill climb in this case. Though it certainly is possible that they can win, there are a lot of obstacles making this case a difficult one, especially if they hope to actually collect on it.

The AP’s History

This is not the first time that the AP has found itself at odds with the Web on issues of fair use. Many will recall their battles with the Drudge Retort, briefly covered here, over snippets of their content appearing on the site. The AP has been notoriously aggressive about narrowly defining fair use, even being banned on TechCrunch for their previous actions.

With this noted history of trying to having a very narrow view on fair use, the AP comes into this with a lot of users on the Internet already looking for blood. This lawsuit seems to have divided the Internet community pretty sharply, causing some photographers and artists to applaud the AP’s move while others are sharply condemning it and using it as a call for copyright reform.

Of course, this use and whether or not is it is infringing already plays well into the existing paradigm of fair use. The judge and/or jury in the case will have the chance to decide this issue, no reform needed.

The real question, for me, is why the Associated Press took this case on so willingly. Between all of the legal issues in the case, it seems unlikely that they are going to recover enough damages to make it worthwhile, especially when one factors in the PR damage and general ill will this case has already created.

Typically, this type of problem comes about when the lawyers deciding what cases to take are insulated from the business and PR people. Lawyers look at the damages they will possibly receive versus the expenses they will likely create and make a decision to move forward, unaware or uncaring about how it affects the rest of the business.

Either the business heads at the AP are making some very questionable decisions, or the lawyers are too insulated from how this is impacting the company in other ways. Either way, on the surface at least, it appears to be a classic case of being penny-wise but pound foolish.

Conclusions & Predictions

Normally I would say that this is where the two sides will sit down and work out an agreement. That may still happen, but I had the good fortune of meeting Anthony at a conference in the Netherlands. He is a very smart and dedicated attorney that believes strongly in his cause.

He defended Ben Stein and the movie Expelled against a lawsuit by Yoko Ono Lennon and EMI, the Harry Potter Lexicon against J.K. Rowling and many other cases. He hasn’t always won, no attorney has, but he’s always fought and he’s always gotten rulings that bode well for fair use (the Lexicon ruling is an example of a loss that still bode well for fair use in general).

Falzone will represent his client well but he will not roll over and allow the AP to write its own version of fair use. Whether or not this particular poster is found to be an infringement, I would expect Falzone to push for a judgment that would benefit the notion of fair use as a whole.

So, in the end, it seems likely that this case will be fought out in courts for at least some time. Though there is a lot of debate about the likely outcome, the hope is that it will answer some questions about fair use and, perhaps, better define it in a way that everyone can better understand and take advantage of it.

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Can you provide a source for that? I'd like to reference it if it can be verified.

Boris Roussimoff says:

Fairy has admitted to selling 4000 posters at $45 each, giving him a revenue of $180,000. His repeated claim of having made no money is based on his assertion that he put the money back into printing posters for free to be used for political purposes. That's not the same as earning no revenue. That's earning $180,000 and then spending it.

AP sues the creator of the "HOPE" poster for infringement. http://bit.ly/1CpyZk , a few more copies http://bit.ly/18ihK7

Gib says:

Even though the image is transformative there still has to be obvious connection between the the old image and the new image in the mind of the viewer. The fact that neither the AP nor the photographer made the connection shows just how poor Fairey's fair use claim is. Transformative in copyright law does not mean that the image is pushed beyond recognition when compared to the original image. This has been shown in court more than the opposite. So I think Fairey will have a hard fair use case to make.Fairey may have donated the money to the campaign, but he still made profit from the image in order to obtain that donation money. Last I checked the ObeyGiant site is not a non-profit nor Fairey's studio. Fairey is free to do what he wants with his money after earning it, but the fact is he made profit. The fact that he made it clear that money would go toward the campaign does not matter because he is not running a non-profit. The Reuters photograph was thought to be the photograph Fairey used before the Mannie Garcia info was made public. A gallery representing Fairey admitted to Garcia and the press that the origin of the poster is Garcia's photograph. Shepard Fairey has also finally said that it was indeed Garcia's photograph. I'm sure the AP knows what they own or not. Their legal team is expansive.The AP supports copyright protection so my guess is that they are doing this to make a stand. You have to remember that copyright is designed to protect creators of original works. It is not a catch all protection for everyone else to use those works. Fair use is limited for a reason.Garcia is known for being a creative photographer so that will work for the AP. Fairey should have used an image that was more widely known or he should have contacted the photographer and AP in the first place. Fairey is a professional illustrator working for major companies. He should know the rules when it comes to using images by others in his work. Working against him is the fact that he settled with the estate of Rene Mederos in 2007 for copyright infringement. That could come up. His ethics are also in question because he sent a cease and desist letter to an artist named Baxter Orr after or made a parody of Obey Giant which was a perfect example of fair use under both copyright and trademark law. Obey Giant is known the world over so it is a good choice to use for fair use.

David Greene says:

Hey Jon. After thinking about this case a little more, I have come to a different conclusion. Given the resent addition of another claimant to the original Obama picture, Reuters, I think that the “Hope” poster may be considered substantially similar to many pictures of our president. The iconic poster is an abstraction that will be considered substantially similar to any picture of Obama where he is staring up and to the left.

Fairey's main problem is that he admits to copying a picture from the internet. This proves that, at the very least, he had access to the picture. Couple this with the overt similarities between the “Hope” poster and the AP and Reuters pictures, and you have satisfied the two prongs of the infringement test.

At this point in the game, and given the aforementioned admissions, I would draw the following analogy in defense: I would liken the “Hope” poster to a painting of any famous landscape. Upon inspection, any person with a picture of that same landscape would have a colorable claim against the painter. To make the analogy more similar to the case at bar, I would add that the painter has had access to at least two photographs of the same landscape.

So, yeah, access to the prior pictures can be proven, and substantial similarity can be proven. But, should we enforce the Lockean “sweat of the brow” doctrine against Fairey? Should he be civilly liable for not going and taking his own Obama picture as a basis for his poster? Or should we be able to expand upon thinly protected copyrights that, nowadays, differ by perhaps a few dozen pixels from eachother?

Also, on a side note, what do you think about the new Pepsi campaign? http://brain-terminal.com/posts/2008/12/31/drin…

Excellent article by @plagiarismtoday on the Associated Press/Shepard copyright infringement case: http://tinyurl.com/agnbss

Roger Rapoport says:

You should know that the Lexicon by Steve Vander Ark was published on January 16. This is a new manuscript mindful Judge Robert Patterson's decision in New York District Court on January 8. This A-Z encyclopedia to the Harry Potter series is selling well in the United States, Canada and Britain. The Judge's decision concluded that Lexicons are to be encouraged, that the author of a fictional series does not have a monopoly on critical commentary or nonfiction reference works and suggested ways to change the original manuscript that would bring it in line with Fair Use laws. That was done by author Steve Vander Ark and attorneys for J.K. Rowling and Warner Bros. have issued a statement saying “We are delighted that this matter is finally and favourably resolved." More information is available at <a href="http://www.rdrbooks.com” target=”_blank”>www.rdrbooks.com

Excellent article on Ap/Shepard Fairey copyright dispute http://tinyurl.com/agnbss

RT @plagiarismtoday Some thoughts on The AP/Shepard Fairey Dispute: http://is.gd/iFTd

methode says:

I will definitely follow this case, it's very interesting. Thanks for the post

RT @plagiarismtoday: Some thoughts on The AP/Shepard Fairey Dispute: http://is.gd/iFTd

It's hard for me to imagine it too but I have to grant I don't know much about how the AP works. I don't see why Garcia would lie about not having signed such a contract since he has already been attributed as the photog and has expressed little interest in pushing this legally. Most likely either A) There was a standing agreement between the two that will cover this and Garcia was mistaken or B) The AP screwed up. Sadly, it is bound to happen, especially during election time when you have a lot of freelancers coming and going.Likely that they made a mistake? Probably not. But possible. The bottom line is someone screwed up, either Garcia or the AP, I guess we'll see which.

I don't know if I would say it was transformative in the way that a book review is transformative, but in the way that it doesn't intend to replace the original and does add a new layer of expression to the work. That's the problem when debating artistic fair use instead of critique or review fair use. These issues get a great deal more muddled and pretty soon it breaks down to a "what is art" debate that no one wins.Regarding the issues of the AP delaying bringing the infringement. It's a good point that I hope Falzone raises, but I think the AP will get at least a little slack since they do have such a large catalog of images and the alleged infringement took place during a very busy time for them.Does that justify a nearly two year lapse? I don't know. But I think Fairey will have a hard time proving that it was malicious. Of course, the more the AP proves they didn't know, the more they could unwittingly bolster a fair use argument.

I don't think that's much of an issue there to be honest. While you're right that you can not copyright a face nor an American flag, which was the background of the image, there are lots of images out there that are just photos of people, faces and other non-copyrightable objects. The creativity that makes these images copyrightable is not what is in the image, the but in the work in capturing it, even if that is just a quick snap of a future President.The end result is that, unless it is an image of a copyrighted work, such as taking a picture of a painting, most photographs enjoy copyright protection. If the subject of an image being non-copyrightable would cause copyright in an image to be lost, almost no images would have any such protection.

methode says:

I'm sorry, but it's hard for me to believe him on that a news agency like AP missed to sign a contract. How did he get payment for the work then? AP is not the black market…

It's interesting. I had thought that the same thing but in the interview with Garcia, he said that he had not signed any contracts at all. Now, whether he signed something previously that would cover this that he forgot or if this was overlooked, I don't know. My experience with news agencies has been much the same as yours, but Garcia seems to insist that nothing has been signed.He is a professional photographer so I'm going to take him at his word until I hear otherwise…

methode says:

Hi, Gary hereYou know am not a lawyer, but I did work for newspapers and once for an agency. Each time when finished a work I signed a document which practically transferred all my rights to the paper or the agency. Isn't AP use this kind process? As far as I know AFP (the french press agency) does use it, I'd guess AP uses as well. If so, then the whole case is not viable and AP has all the rights.

M. Scott says:

There is also another critical issue that you should insert before “fair use” and that is whether Fairey took any copyrightable elements at all. Photos have a limited copyright, particularly here where there can be no claim to ownership of Obama's face or the pose or the background. It is unclear whether Fairey took ANY copyrightable subject matter at all from the photo.

David Greene says:

As far as I can tell, this Warhol-like poster is at best (for the defendant) a derivative work. Transformative? Maybe in the way a camera filter transforms. I think that any fair use defense will center around non-profit exemptions and First Amendment rights. Moreover, I do not think that these defenses will work. I will be more interested to see if the defendant raises the equitable defenses of laches and acquiescence. The AP should have known that the Obama poster infringed early in his campaign. Therefore, if held to the standard of negligence, the AP knew or should have known of the posters existence and has unreasonably delayed bringing the infringement to the knowledge of the world and has in fact waited until such a time when the defendant will face undue prejudice.
This is precisely what equitable defenses are for: To prevent people from sitting on their rights until such time that an innocent infringer may be harmed more than duly necessary. Of course, this all depends on whether the ex-AP reporter is determined to be innocent. “Those who seek equity, must do equity.” -Maxim of Property Law…