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	<title>Comments on: Wrap Up:Young Author, Classic Controversy</title>
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	<link>http://www.plagiarismtoday.com/2006/04/27/wrap-upyoung-author-ancient-controversy/</link>
	<description>Content Theft, Plagiarism, Copyright Infringement</description>
	<lastBuildDate>Mon, 13 Feb 2012 07:59:41 +0000</lastBuildDate>
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		<title>By: How Opal Mehta Got Kissed, Got Wild and Got a life &#124; Brajeshwar</title>
		<link>http://www.plagiarismtoday.com/2006/04/27/wrap-upyoung-author-ancient-controversy/comment-page-1/#comment-136137</link>
		<dc:creator>How Opal Mehta Got Kissed, Got Wild and Got a life &#124; Brajeshwar</dc:creator>
		<pubDate>Thu, 30 Jun 2011 03:58:00 +0000</pubDate>
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		<description>[...] &#8211; WikipediaHow Kaavya Viswanathan Got Published, Got Accepted to Harvard, and Got ScrewedWrap Up:Young Author, Classic ControversyOpal Mehta movie version cannedStudent&#8217;s Novel Faces Plagiarism ControversyPosted in &#187; [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8211; WikipediaHow Kaavya Viswanathan Got Published, Got Accepted to Harvard, and Got ScrewedWrap Up:Young Author, Classic ControversyOpal Mehta movie version cannedStudent&#8217;s Novel Faces Plagiarism ControversyPosted in &raquo; [...]</p>
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		<title>By: Liz</title>
		<link>http://www.plagiarismtoday.com/2006/04/27/wrap-upyoung-author-ancient-controversy/comment-page-1/#comment-1396</link>
		<dc:creator>Liz</dc:creator>
		<pubDate>Sun, 30 Apr 2006 17:28:52 +0000</pubDate>
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		<description>Timothy Burke has an interesting meditation on the difference between plagiarism, remixing (in Lessing&#039;s sense) and allusion:

http://weblogs.swarthmore.edu/burke/?p=179

&quot;However, I don’t think Lessig leaves me any grounds for seeing a relation between the active plagiarism of Viswanathan and the derivative character of Paolini’s writing, as one example. If all creativity is essentially remixing, then what do we mean by originality?&quot;</description>
		<content:encoded><![CDATA[<p>Timothy Burke has an interesting meditation on the difference between plagiarism, remixing (in Lessing&#8217;s sense) and allusion:</p>
<p><a href="http://weblogs.swarthmore.edu/burke/?p=179" rel="nofollow">http://weblogs.swarthmore.edu/burke/?p=179</a></p>
<p>&#8220;However, I don’t think Lessig leaves me any grounds for seeing a relation between the active plagiarism of Viswanathan and the derivative character of Paolini’s writing, as one example. If all creativity is essentially remixing, then what do we mean by originality?&#8221;</p>
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		<title>By: Liz</title>
		<link>http://www.plagiarismtoday.com/2006/04/27/wrap-upyoung-author-ancient-controversy/comment-page-1/#comment-122279</link>
		<dc:creator>Liz</dc:creator>
		<pubDate>Sun, 30 Apr 2006 17:28:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.plagiarismtoday.com/?p=229#comment-122279</guid>
		<description>Timothy Burke has an interesting meditation on the difference between plagiarism, remixing (in Lessing&#039;s sense) and allusion:&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://weblogs.swarthmore.edu/burke/?p=179&quot;&gt;http://weblogs.swarthmore.edu/burke/?p=179&lt;/a&gt;&lt;br&gt;&lt;br&gt;&quot;However, I don’t think Lessig leaves me any grounds for seeing a relation between the active plagiarism of Viswanathan and the derivative character of Paolini’s writing, as one example. If all creativity is essentially remixing, then what do we mean by originality?&quot;</description>
		<content:encoded><![CDATA[<p>Timothy Burke has an interesting meditation on the difference between plagiarism, remixing (in Lessing&#8217;s sense) and allusion:</p>
<p><a href="http://weblogs.swarthmore.edu/burke/?p=179">http://weblogs.swarthmore.edu/burke/?p=179</a></p>
<p>&#8220;However, I don’t think Lessig leaves me any grounds for seeing a relation between the active plagiarism of Viswanathan and the derivative character of Paolini’s writing, as one example. If all creativity is essentially remixing, then what do we mean by originality?&#8221;</p>
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